Stuart Garlick

Grand Designs: Arvamus Festival Best Stand

Blog, , , , ,

DSCF1693Some of the stands at the Arvamus festival weren’t just about the speakers taking part in the debate, but were also about great design creating a more effective space in which to have discussions. The best design of any stand at the festival, a space that treated acoustics and sight-lines as far more than afterthoughts, was created by Architecture and Urban Planning students of Eesti Kunstiakadeemia (the Estonian Academy of Arts).

DSCF1692

 

 

The honeycomb ceiling kept the audience warm and sheltered, and although each piece was made from cardboard boxes, they were reinforced with waterproof, insulating material which is often used for packing computers.

The result was a spot that felt uniquely-attuned to great debate, and was a credit to the ingenious third-year EKA students, who have set down a marker for their successors who will design the stand for next year’s Arvamus Festival.

The Arvamus Festival and Why We’re Getting Smarter

Blog, , , , ,

When out last night in Paide, I noticed an unusual thing. Young people, battling in the street. It was a turf war, with the fight being for pride and territory. But it’s not what you think. The battle was on ten different chess and draughts boards. This made me think of my own childhood, and speculate why things have changed so much. Is the Arvamus Festival an example of how, generation-by-generation, we are getting smarter?

When I was at school in the 1990s, many teenagers would talk about their summer trips to Ibiza or Ayia Napa, which were a fortnight’s blur of clubbing, alcohol abuse, and possibly a lot more. This was the era of the superclub, Cream and the Ministry of Sound hoovering up customers every Saturday in Liverpool and London respectively, then going on tour to the Balearic Islands to play to an audience dominated by British tourists.

I didn’t go to Ibiza with my school friends. Of course, some people were comfortable at home, like I was. But the aim of these trips was to get very, very drunk – and this wasn’t something I was interested in. I was a country boy who enjoyed reading and music – and not played at 100 decibels. I sometimes asked my parents why I wasn’t the “kind of person” who could go, but they just looked at me with that look that says, “one day, you’ll understand”.

Now, I do. It seems to me that young Estonians are growing up with so many more positive influences than my school class had. Last night, in the Must Puudel’s party for Arvamus Festival-goers, I saw happy people singing along to obscure pop tunes released in 1984 or ’85, when I was 3 or 4 years old, and they were a long way from being born. This was the kind of music I loved playing – in private, of course (I even got picked-on for buying Duran Duran, Spandau Ballet or Ultravox from the record store when I was a teenager), but now it wasn’t a source of shame for anyone. Indeed, it seemed like a badge of honour to know as much of the music as possible.

The knowledge extends to the debates, too. Young people are being thanked for their contribution, being actively praised for their knowledge of complex topics – and more and more people know more and more things, that’s something that’s obvious from asking a few questions, and hearing the different opinions expressed at the Arvamus Festival.

I never used to mind being called a “nerd” or a “geek”. Those are terms that just mean someone knows a lot about something. But what’s changed beyond recognition is the way the nerd and the geek are now seen as the intelligent, well-rounded people they always were.

So how about it, are we getting smarter by generation? That, like everything else here, is a matter of debate. All I know is, I wish I’d been given this festival when I was 20 or 21. I would have loved every minute, just like I do now.

Lunch @ Arvamus: Hamburger

Blog, , ,

The Arvamus Festival food options continue to excite and enthrall. Having been pleasantly-surprised by the flavoursome beetroot-dominated veggie burger on Friday, I decided to go two metres to the right, and try the meat option, the hamburger, to see how it compared.

For €8, it’s a premium price, but the burger, which came to me after only five minutes, was tender, broad and substantial. Served on a plate (rather than horizontally in paper as is usually favoured by Estonian convenience stalls), and with a wooden skewer through the middle in order to hold everything together, it feels like quality when you take it.

The mayonnaise and red onion chutney go well together, and the brown granary flat bun is a nice touch, though I always prefer it when burger places slightly toast them. However, the big X-factor of this burger was the makers’ use of smoked cheese in place of the usual processed strip – a variation on the theme that made the burger taste classy. Sticking with the upmarket theme, this is definitely a meal for picking apart, not picking up, hence why knives and forks are supplied.

If, like me, you craved a meat fix after a long day on the Festival tracks, the hamburger is something you will not be disappointed with. Head down to the food court and see what we mean.

IMAG6430[1]

Won’t the Young Estonians Please Stand Up?

Blog, , , , ,

Mehirt Emmus (10)

The Arvamus Festival isn’t only about the topics that make us ponder deeply about our existence. It’s also about the things that make us laugh, that make us joyful. On the Ekspress Meedia stage, a group of Estonian performers got together to ask, “Is stand-up the new Estonian theatre?”

There were differing views on the matter, and of course there was mention of the increasing popularity of stand-up comedy, that form of performance where, usually, one person stands on a stage and speaks directly to the audience in an attempt to make them laugh.

After the discussion, we met up with Estonian producer and performer Karl Kermes, who had been one of the panel, to get his view on the topic. He was frank about where Estonian comedy stood at the moment. “I think we don’t have a stand-up culture. It’s coming, but it’s not there yet,” Kermes explained, citing the fact that audience trends are different in Estonia to those traditional hot-spots of stand-up, the UK and USA.

“If we speak about stand-up from different languages [and cultures], I personally think, for an Estonian mainstream theatre audience, that kind of raw stand-up in pubs and clubs is not something they’re taking. It’s a great theatre-loving country. I’m working to build up stand-up shows that last one to two hours, for example like what Eddie Izzard is doing.”

Estonian comedy has always existed, but in different forms, the producer explained. “We have this problem that most of the comedians we put on the stage have graduated from Estonian drama school, then have been working in different theatres, in different roles. Now you’re asking them to come on stage and speak as themselves, with their own ideas, and I’ve found out it’s very difficult to them.” There has, he feels, been a general trend towards Estonian performers preferring to hide behind a role. “Somehow [the show] turns into a play, not a stand-up, in the end. That’s why I’m saying that at the moment, we don’t have Estonian stand-up.”

We asked if the reason for that was because of the way young people were brought up in the school system in Estonia, which has not always encouraged play or creativity in the way other systems have. “It can be;” Kermes said, “if you look at our history, where we are coming from, the time has been very short. I think also the new, young actors that are coming from drama school are thinking differently to the older, well-known comedians. So I think things will change, but it takes time.”

On another topic, Kermes was quick to name his favourite comedian. “Eddie Izzard. The main reason, or let’s say subconscious reason, is he was the first show I looked at on YouTube, and he’s great – he’s doing it so fluently, and I just love him.”

The enormous popularity of Irish comedian Dylan Moran, who sold out his November stand-up show in Tallinn within hours of tickets being released online, is heartening for those who loved him as an actor in the sitcoms ‘Black Books’ and ‘How Do You Want Me?’. Moran appears to share a special bond with Estonian audiences, and there is evidence the feeling is reciprocal. “The first time Dylan came to Estonia, it was surprising how quickly he sold out [of tickets], and it was so good, and I think it’s great to see, but I can’t put my finger on the reasons,” Kermes concluded.

Five Reasons Why the Arvamus Festival is Awesome

Blog,

1. Diversity of Debate

With a speaking area for every taste, the Arvamus Festival has thrown up some interesting debates, on every part of Estonian public (and private) life. The discussion on the need for a Russian-language TV channel in Estonia continues to be heard, and I attended the debate run by Keskerakond (the Centre Party), which held a discussion of its representatives’ views on the matter.

With questions often heated, as they regularly are when it comes to Estonian politics, it was interesting to see the public being given an open forum on which to question elected politicians, and even more interesting to see how they responded. Other political parties have been holding parallel debates, including the Reform Party, the IRL and the Social Democrats, making this a fully-rounded political debate.

2. A Chance for a Charm Offensive

DSCF1657

Estonia’s first dedicated public Russian-language television channel, begins full service in September with 20 hours a week of factual and entertainment programming. Its representatives, such as channel head Darja Saar, were answering questions from all-comers about what it meant for Estonia, and why the station had been set up.

The positive PR campaign for the service, which will produce original programming in Estonia bringing news content, along with items such as a drama series, was led by Saar and Communications Manager Anastasia Dratsova. As the Arvamus Festival is a meeting-point for all those who like to consider issues, regardless of their background or interest, it makes it the perfect place for such a charm offensive.

 

3. Connecting with the Heart

“It’s the heart of Estonia.” I was told this about ten times by people I questioned about what was so special about Paide. The town, which hosts the Arvamus Festival up on Vallimägi, is loved by all visitors, especially on a blazing-hot summer’s day. There seems to be a special atmosphere of togetherness hereDSCF1669, which makes it so much easier to relax, unwind and enjoy calm deliberation of the issues not just of the mind, but also of the heart.

DSCF1669

It’s also a place where the best of Estonian culture comes to play. Tallinn’s best jazz club, Philly Joe’s, which often hosts artists of the calibre of Liisi Koikson, Holger Marjamaa and Laura and Joel Remmel, has brought a selection of great musicians to the festival. They lit up lunchtime with their smooth brand of virtuoso playing.

 

 

4. Connecting with the Stomach

DSCF1664

While listening to the music from Philly Joe’s, I sampled some of the excellent food on offer around the central courtyard of the Arvamus Festival grounds. Tallinn’s Kohvik Inspiratsioon, a vegetarian cafe of some repute, brought its cooks and service staff to Arvamus, and I ordered the veggie burger, purely for reasons of taste-testing, you understand.

The wholemeal bread used to wrap the burger was crusty and sturdy, even with a sizeable cut of cucumber and tomato inside. The burger was of course healthy, especially as it did not contain any dressing – the burger being made from a very tangy beetroot mix that more than provided enough flavour.

Inspiratsioon did indeed provide inspiration to continue my hunting of great events, though it still left an old-fashioned carnivore like me craving a juicy hamburger. It must be said, though, that the veggie burger, made with love, represents great value at €4.

5. Much More than Just Politics

Someone said before the festival, explaining why he would not be attending, “it’s just politics, though, isn’t it?” Er, no. The hundreds of events and talks cover everything from Estonian food, to why Estonia does not yet have an internationally-recognised crime novelist.

The search for the Estonian export star who could be a new Steig Larsson continues, but at the stage sponsored by Rahva Raamat, keen readers were given the chance to recline in the most comfortable bean-bags you can imagine, and listen to talented authors such as Indrek Hargla discuss their work, and the future of Estonian literature.

DSCF1660

Meanwhile, students from Estonian high schools all over the country taking part in the Our New Media Generation project in association with the Ministry of Education and the website etnoweb.ee were given the chance to go out, gain some experience and confidence, and do some reporting from the festival.

Great Expectations for the Arvamus Festival 2015

Blogi
Fotograaf Sven Tupits (Fotogeen.com )

Fotograaf Sven Tupits (Fotogeen.com )

You’ve arrived at the Arvamus Festival, and you’re excited about what you’re about to see, but what should you be looking out for in particular? Allow us to guide you through some of the best talks we’ve found over the next two days.

Let’s begin on Friday at 1pm with what promises to be an amusing talk, if only because it’s with, and about, Estonian stand-up comedy – “What’s the use of start-ups for Estonia?”. The act of standing behind a microphone and trying to make an expectant audience laugh is often considered to be something inherently British or American – but as the contributors to this talk, over in Ettevõtlus Ala, show, Estonian stand-ups are to be taken seriously.
Another group wishing to be taken seriously is Keskerakond, the Centre Party. At their stage, the opposition party is hosting, on Friday at 2pm, a discussion in light of the starting of the new ETV+ channel, which is intended for Russian-speaking Estonians. The talk, “ETV+; or, what does the future hold for Estonian integration politics?” will examine the best approach to take in order to get all of Estonia involved in the political conversation.
For something a little more esoteric, head afterwards to the Mäeala or Hill Area, where you will be able to participate in a discussion about the thoughts that go on in our heads, but rarely get revealed. “Collecting Dreams About Estonia” is your chance to say exactly what you hope, or what you feel, with everyone getting together to create a better understanding and a better world for each other. That’s at 3pm on Friday, and comes highly recommended.
Following that, on Friday at 5pm, there’s a chance to solve one of Estonia’s greatest mysteries: if it to be considered a Nordic nation (and that is itself a matter for stern debate), why is it that Denmark, Norway and Sweden have all produced internationally-successful crime novelists, but not Estonia? Join the debate, “Why are there so few crime writers in Estonia?”, gather the evidence, and follow the clues, and you might be able to use your very specific set of skills to find the answer.
There are plenty of things to enjoy around Paide in the evening, but the next day, make sure you’re up bright and early, because there’s a whole programme of great things to see and do. If you’re not feeling the effects of the previous night’s celebrations, you can test your flexibility with a spot of morning yoga, at 7.30am. Follow that up with the Minutes of Silence, designed to focus the mind and allow for quiet contemplation, at 9am, and you’re ready for the day ahead, with clarity of mind.
Over at the Ekspress Meedia area, Estonia’s most inventive weekly paper hosts a talk at 11am entitled “Is Stand-Up the New Estonian Theatre?”, which is likely to continue the amusing, but involving, discussion of the previous day, and will bring a greater understanding of what brings us joy and laughter.
The same area at 2pm on Saturday brings you a chance to take part in the debate on refugees in Estonia. Should this country be welcoming people in? Are we doing enough to help the displaced? The title of the talk, “Refugees in Estonia?!” should give you an idea, with its punctuation, of the strength of the debate.
A discussion everyone needs to attend, especially if they want to understand the changing values of a modern Estonia, is the one taking place at 5pm on Saturday in VUNK innovatsiooniala, “Millennium Children and Entertainment”. For many people, it is hard to connect with those born after the year 2000, raised on social media, tablet devices, and smartphones, and expecting instant entertainment. This discussion will look at the need to change the kind of television delivered to young people in Estonia.